![]() ![]() ![]() The font is expressive but never strays too far into novelty or over-indulgence. In Mathieu’s own words, his style embraces ‘restrained quirkiness’. Elements from Antique Olive tie the typeface together, offering uniformity to what could otherwise be too untamed for everyday use. Bricolage Grotesque retains the large apertures, lively curves, and whimsicality of Mayenne Sans while embracing the bold, compressed wonkiness of the Grotesque font family. The result is an intelligent amalgamation of several stylistic influences. Mathieu then took inspiration from a mixture of historic French and British styles, including Roger Excoffon’s Antique Olive and Stephenson Blake’s iconic early 20 th-century Grotesque series. ![]() To Mathieu, the font is a blend of the traditional and modern - traversing the emotional history of his family, from his grandfather’s journey across the Mediterranean to his own experiences as a Frenchman living in England.īricolage Grotesque began as a fork of Jérémy Landes’ Mayenne Sans, a single-weight font that was, until recently, open source. Bricolage Grotesque aims to reflect what it feels like to travel across the world and rebuild your life in another country. Mathieu drew inspiration for the design from an eclectic assortment of historical sources. It may just be the ideal font for designers looking to add a dash of creativity to their work without compromising readability. Stylistically, the font lies at the intersection between playfulness and practicality. Mathieu Triay, the typeface’s designer, describes it as a ‘variable font with French attitude and British Mannerisms’, and we can see why. We’re always on the lookout for new fonts, and Bricolage Grotesque certainly caught our attention. ![]()
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